THE FIVE YEAR MISSION
The Lifeboat Station Project is about the lifeboat volunteers, for the lifeboat volunteers; turning childhood dreams into something valuable and meaningful.
You see, photography has been in Jack Lowe’s blood since he was a young boy. Aged 8, he received a Kodak Instamatic camera from his grandmother, a turning point from which he’s never looked back.
Jack has also been bitten by the RNLI bug since childhood and was one of the very early members of Storm Force, the RNLI’s club for junior members.
Now he’s united those passions by creating one of the largest projects ever undertaken in the history of photography — a body of beautiful, engaging work that has become Jack’s full-time occupation.
Travelling in his mobile darkroom (a decommissioned NHS ambulance), Jack uses an ancient process to make photographs on glass as the Victorians used to between the 1850s and 1880s.
By visiting all 238 RNLI Lifeboat Stations in the UK and Republic of Ireland, Jack is creating an unprecedented photographic documentation, immortalising a vital aspect of our island nation’s culture.
The photographs will ultimately be showcased in a stunning exhibition and book, both of which are set to be huge fundraisers for the RNLI.
The Lifeboat Station Project is currently scheduled to be completed in 2020. A selection of the work has already been acquired for a National Collection.
WHO’S BACKING THE PROJECT?
For the first two years of its life, the Project was entirely funded by Jack and what he could raise under his own steam through the The LSP Shop — in essence, his own form of crowdfunding.
However, since Autumn 2016, he’s been fortunate enough to receive a small amount of funding from the RNLI, which partially covers Jack’s costs and goes some way to smoothing out the (sometimes terrifying) financial peaks and troughs.
But this funding doesn’t cover everything. Jack still relies on the support of amazing people like you to keep the Project on the road:
There’s no Plan B with the Project either — and Jack’s gone too far to turn back now!
To understand what the Project means to his family unit and working life, have a read of All or Nothing.
The Lifeboat Station Project is interested in receiving sponsorship proposals. Please get in touch if you or your company would like to get behind one of the largest photographic projects ever undertaken:
James Carroll at Peters Fraser + Dunlop
+44 (0)20 7344 1087
Assistant: Vicky Cornforth
Using a process known as Wet Plate Collodion, Jack is crafting unique photographs on glass, capturing the view from each station and the waters protected by the RNLI crews.
As well as the view from each station, he will also be making two further photographs: A portrait of each Coxswain or Senior Helm and a group portrait of the crew.
Jack’s ultimate vision is to show the glass plates in geographical order around a huge gallery; as the audience stands in the middle of the venue and looks around, the sensation of seeing the entire coastline of the British Isles captured on glass will be extraordinary.
Each glass plate — known as an Ambrotype — will be a beautiful standalone artwork. However, the true glory of such an endeavour will be realised in bringing around 1000 plates together as one exhibition.
Never one to think small, Jack would love a high-profile London venue to house the work such as Tate, The National Maritime Museum or Somerset House — somewhere large enough to accommodate an RNLI All Weather Lifeboat as a centrepiece along with Neena (his mobile darkroom) so that people can see where the photographs were made.
As part of his contribution to the RNLI community — and in exchange for their help on the day — Jack gifts each station two limited edition prints: Print No.1 of the crew photograph and Print No.1 of the Coxswain/Senior Helmsman portrait.
TRACKING THE PROJECT
The Lifeboat Station Project began on 12th January 2015.
At some point on the journey, Jack will be coming to an RNLI Lifeboat Station near you!
Keep track of his movements on the Mission Map and via the usual Social Media channels: